By Susan Kozel
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In interpreting ideokinesis and its program to the instructing and perform of dancing, Drid Williams introduces readers to the paintings of Dr. Lulu Sweigard (1895–1974), a pioneer of ideokinetic ideas. Drawing on her studies in the course of deepest tutorial periods with Sweigard over a two-year span, Williams discusses tools utilizing imagery for bettering physique posture and alignment for ease of circulation.
This guidebook is designed to facilitate using "Beyond phrases" fabrics. by means of drawing on their lonesome instructing studies, the authors supply feedback for achieving teaching/learning targets, and for overcoming problems in utilizing the flow remark and research programme. a number of the artistic variations defined come from members at assorted associations who proven "Beyond phrases" whereas it was once being built.
Serious and performative writings from a well known dance pupil
Lucia Ruprecht's learn is the 1st monograph in English to examine the connection among nineteenth-century German literature and theatrical dance. Combining cultural background with shut readings of significant texts via Heinrich von Kleist, E. T. A. Hoffmann and Heinrich Heine, the writer brings to mild little-known German assets on dance to deal with the theoretical implications of studying the interdiscursive and intermedial relatives among the 3 authors' literary works, aesthetic reflections on dance, and dance of the interval.
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