By Karen Clippinger
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In interpreting ideokinesis and its software to the instructing and perform of dancing, Drid Williams introduces readers to the paintings of Dr. Lulu Sweigard (1895–1974), a pioneer of ideokinetic ideas. Drawing on her reports in the course of deepest educational periods with Sweigard over a two-year span, Williams discusses tools utilizing imagery for making improvements to physique posture and alignment for ease of stream.
This guidebook is designed to facilitate using "Beyond phrases" fabrics. through drawing all alone educating stories, the authors supply feedback for achieving teaching/learning ambitions, and for overcoming problems in utilizing the circulate statement and research programme. a few of the inventive variations defined come from members at varied associations who proven "Beyond phrases" whereas it was once being constructed.
Serious and performative writings from a well known dance student
Lucia Ruprecht's research is the 1st monograph in English to examine the connection among nineteenth-century German literature and theatrical dance. Combining cultural background with shut readings of significant texts through Heinrich von Kleist, E. T. A. Hoffmann and Heinrich Heine, the writer brings to mild little-known German assets on dance to handle the theoretical implications of interpreting the interdiscursive and intermedial family among the 3 authors' literary works, aesthetic reflections on dance, and dance of the interval.
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